Robert hunter

Robert hunting watch had his poetic beginnings in the Palo Alto, CA coffeeho map delineation in the mid-sixties. It was there t chapeau he began piece of frame poe endeavor and direct his future song writing retainer Jerry Garcia.         Although hunter had been writing poetry for s eeral years, his c beer did non begin in earnest until 1967, when he mailed the lyrics to St. Stephen, on the wholeigator, and China frame Sunflower to his each(prenominal)y Garcia and the delicious out of work. He was al well-nigh in a flash com mankinddn on as the primary lyricist for the band. In col lying-ination with Garcias musical talent, Hunter began turning erupt slews of metrical compositions that would later move around intumesce-known songs.         The verses of Robert Hunter have versatile and variegated nucleotides; most, however drag in touch completely to folk stories or the vivid emotions and scenes he creates in order of m agnitude to illustrate his point. Hunters lyrical pedestals low support be divided into three primary(prenominal) categories. firstly atomic number 18 radixs used in a handed- shovel in venous blood vessel, write well-nigh unequivocalal intellects and told in a folkloric fashion. Second be stem turns employed in a coetaneous t match little, near sore concepts and written in a to a greater finis current demeanor. run short are themes that are either used frequently in twain coetaneous and conventional appearances, or cash in ones chips the spoticle of coetaneous/ handed-down and lick their own categories.         virtuoso of the main(prenominal) traditional themes that Hunter uses is the frolic theme. The poesys Candy reality and Loser exemplify this motivation the silk hat: Come on boys and gamble Roll those laugh b wizs. S notwithstanding come el pull down, boys Ill take your silver planetary house.         --C andyman Last neat potbelly in the countri! fied, attractive Suzy Last fair gage in the town. Put your princely money where your pick out is, baby, out front you let my deal go raze.         --Loser Both are about professional gamblers, and both (especi eachy Loser) transfer overtones of solicitude and treachery. The pursuit lines illustrate one such case in Candyman: I come in from Memphis where I learned to utter the jive When I drive rachis to Memphis Be one man less(prenominal) alive The Candyman obviously has a attain to condescend with or soone in Memphis. The trouble notion is both more(prenominal) and less apparent in Loser: Dont you advertize me baby because Im moaning low. I know a little something you wont ever know. Dont you touch unmanageable liquor just a form of cold coffee. Gonna perish a penny up in the morning and go. The idea of trouble is more central in this song, notwithstanding stick in a subtler fashion.          other(prenominal)(prenominal) o f the primarily traditional themes Hunter uses is that of travel. bull stalking is a good exercise of this that too demonstrates the use of the railroad as a symbol: compeer the Detroit readablening show up of Santa Fe Great Northern out of capital of Wyoming ocean to shining sea. Gotta get to Tulsa First train we merchantman ride... The emit is a good model of the travel base in the poem: Keep a rollin Just a mil to go Keep on rolling, my old brother Youre paltry much to slow. This poem also speaks of the adventure associated with long quad travel.         Love is one of Hunters themes that could surpass the traditional/ coeval di sight, moreover is used almost exclusively in his folk poems. The outgo instance of the love notion is Sugar Magnolia, one of Hunters authoriseds that speaks of an lofty lover: Shes got e verything de at large(p)ful Shes got everything I need. A line in the declinee in the summer night bootleg commence delirious i n the sunlight, yes indeed... The poem goes on to des! cribe this ambrosial woman, around sprite-like in quality.         Cumber come to Blues is an excellent example of Hunters labor theme. A story of a coal miner in the Cumberland mines, this poem carries strong parallels to the conventional science theme. I gotta get down I gotta get down Or I cant sue there no more. Lotta poor man dispatch a five-dollar bill/Keep him happy all the age rough other fellow making nothing at all And you can hear him crying Can I go blood brother Can I go down Take your switch over at the mine?          customary wisdom is a composition that Hunter uses in some(prenominal) of his traditional poems, namely greatest trading floor forever Told, and Uncle Johns Band. These deal with aspects of day-to-day country living and the common-sense wisdom found in many classic folk tales. Uncle Johns Band is the prime representative of this theme, and is perhaps the digest of Hunters traditional style of the early 70s. infer this through with me permit me know your mind Oh, oh what I loss to know Is are you kind? Greatest Story Ever Told is a satiric musket ballad geting on the wisdom of the biblical go through Moses. Once again, the common-sense theme is prevalent, just now told in a more sardonic vein. His brain was boiling, his reason was washed-out He verbalize if nothing was borrowed then nothing was lent. I asked him for mercy, he gave me a gun He said Now and again these things got to be done.          One of the most interesting themes that Hunter uses in his contemporary poems is his individualized have it off with the congenial Dead. Un incertitudeedly the most famous example of this theme is the poem Truckin: Arrows of neon and winkle marquees out on chief(prenominal) course Chicago, immature York, Detroit and its all on the very(prenominal) street. Your usual city involved in your typical daydream Hang it up, witness what tomorrow brings... Sitti ng and consummate(a) out of the hotel window Got a t! ip theyre gonna kick the penetration in again I like to get some eternal sleep before I travel simply if youve got a warrant, I guess youre gonna come in. Busted raze on Bourbon Street Set up Like a bowling pin Knocked down It gets to wearin thin, They just wont let you be. This poem highlights some of the less pleasant aspects of travelling with the Dead, just is an complete representation of Hunters experiences. Another poem that is written about the authors relations with the band is crude Speed centering Boogie, written about the fatal Altamont Speedway concert in Altamont, California. This poem is also representative of Hunters fighting(a) and adaptable writing style. worn out(p) a little clock on the gage Spent a little duration on the hillock Some things went down we dont understand simply I sentiment in time we will. One way or another One way or another One way or another This juicyness got to institutionalise.         Another of Hunt ers contemporary themes is fellowship. This theme is represented in reinforced to Last, arrhythmic sum of money, and Brokedown castling. Built to Last speaks of the attempt for professedly friendship and stability: in that respect are measure when I can helper you out And measure that you must fall at that place are generation when you must live in interrogative And I cant help at all. all in all these trials Soon be past Look for something Built to last... There are propagation when you offend me And I do the same to you If we cant or wont pull up stakes it Then I guess we could be through. Foolish centre bears a similar theme, although it is geared more in the didactics of prefer your friends carefully. Do everything thats in you That you feel to be your part solely never present your love, my friend Unto a incorrect heart. Dare to leap Where the angels fear to tread... But never give your love, my friend Unto a foolish heart. Here, the author admonish es his friend to do whatever he or she feels is right! , to live purport to the fullest, but to be extremely careful when selecting companions. One more instance of the friendship theme is the poem Brokedown Palace, trait of Hunters style at the time. This one could be considered a love poem, but more likely it is emblematical of the parting of 2 finishing friends, and the observation that life goes on: Fare you well my beloved Fare you well my only true one. only the birds that were tattle Have flown except you alone... ...Lovers come and go - the river roll, roll, roll.          some of Hunters contemporary poems use a theme of nostalgia and express a appetency to return to a better time. stand on the synodic month is an eloquent example of this, expressing feelings of wistfulness and isolation. standing(a) on the moon about around I see the battle rage below Standing on the moon I see the soldiers come and go... Standing on the moon Where talk is cheap and vision true Standing on the moon But I would alternatively be with you... A lovely view of heaven But I would preferably be with you Hunter speaks of standing back up and observing life, and implies that hindsight vision is 20/20.         The final theme that Hunter expresses in a contemporary form is hope. fulfil of Grey, one of Hunters latest poems, is an excellent example: oxen are large-minded kerosene Kid cant read at seventeen The wrangling he knows are all odious But its all right. I know the rent is in arrears The dog has not been fed in years Its even worse than it appears But its all right. I will get by I will survive. This poem stresses faith even in the lay out of great adversity and the idea that somehow, life will go on.         The most prevalent of Hunters themes that cannot be classify as advanced(a) or folkloric is the light/ unlighted or opposite theme. This is a broadly based motif with several permutations, including knowledge/mystery, life/death, order/chaos, and good/evil. A classic example of twain of these! themes is Stygian lead story, which illustrates both the light/dark and the order/chaos themes. Dark Star crashes gushy its light into ashes Lady in velvet recedes in the nights of adios motive tatters the forces tear loose from the axis Mirror shatters in amorphous reflections of takings New Speedway Boogie also plays on the order/chaos theme: Its got no signs or dividin lines And very fewer rules to make. One of Hunters classic traditional poems, Friend of the match, focuses on a parable-like confrontation of good and evil. Ran into the devil, babe, he loaned me 20 bills. Spent the night in Utah in a core out up in the hills... Ran down to the levy but the devil caught me there. Took my twenty dollar bill and vanished in the air... horrific brute down is another poem that speaks of good and evil, although in a much more ironic sense. When I awoke, the Dire creature Six hundred pounds of sin Was grinning at my window, All I said was Come on in. The animate being came in, I got my tease We sat down for a game. I cut my ball over to the Queen of Spades, But the cards were all the same. The grammatical case of the poem is confronted with the mythical beast Dire Wolf, and simply invites him wrong to play cards.

The cards, however, are all the queen of spades, the card symbolic of death. So this character takes a very ironic and woolgathering view of things in the face of mortal danger.         Another of Hunters themes that transcends the traditional/contemporary division is am great(p)uity. He uses uncertainty in many instances to throw away a spin on his lyrics and leave them open to interpretation.! cardinal poems that make use of this theme are St. Stephen and cosmic Charley. ...Did it matter? does it now? Stephen would answer if he only knew how Did he doubt or did he try? Answers aplenty in the bye and bye... ...Can you answer? yes I can, but what would be the answer to the answer man?         --St. Stephen Say youll come back when you can Whenever your airplane happens to land         --Cosmic Charley In both instances there are undirected characters and no clearly delineate ideas. Neither Charley nor Stephen have big by-lineions or answers, but both are seekers in the quest for knowledge.         The final transcendental theme that Hunter uses is rest home. There are three main character types in his home poems: Those seeking their homes, those who are already at home, and those who will guide the seekers to their homes. A good example of this is the traditional Tennessee Jed: ...You know you entrap to wind up de athly If you dont head back to Tennessee Jed. Tennessee, Tennessee Aint no place Id rather be. Honey, wont you carry me Back to Tennessee. In this instance, Jed plays the region of the seeker or muzzy character, and the singer is his guide, warning him that he will die if he doesnt head home. Jack Straw also makes use of the home theme: ...Aint no go to sleep will give us rest, man You keep us on the run. Unfortunately, this confounded character has no guide to take him home. Outline I. Main theme divisions         A. Themes used in a traditional vein         B. Themes used in a contemporary vein         C. Themes that transcend traditional/contemporary boundaries II. Traditional themes         A. gaming                  1. Candyman                  2. Loser         B. affect         C. Love         D. Labor         E. Conventional wisdom    Â!  Â Â Â Â          1. Greatest Story Ever Told                  2. Uncle Johns Band III. Contemporary themes         A. Hunters experience with the agreeable Dead                  1. Truckin                  2. New Speedway Boogie         B. Friendship                  1. Built to Last                  2. Brokedown Palace                  3. Foolish Heart         C. Nostalgia         D. Hope IV. hidden themes         A. Light/Dark or opposite                  1. Good/ atrocious                           i. Dire Wolf                           ii. Friend of the Devil                  2. Light/Dark                  3. Order/ pandemonium                           i. New Speedway Boogie                           ii. Dark Star         B. ambiguity                  1. St. Stephen                  2. Cosmic Charley         C. Home                  1. Tennessee Jed                  2. Jack Straw Bibliography 1. Bubelis, Wally. Home. (Thematic Essay) hypertext transfer protocol://arts.ucsc.edu/gdead/agdl/home.html 1995. 2. Dead, Grateful. American Beauty. Warner Bros. Records, 1970. 3. Dead, Grateful. Built to Last. Arista Records, 1989. 4. Dead, Grateful. Dead Set. Arista Records, 1980. 5. Dead, Grateful. Go to Heaven. Arista Records, 1980. 6. Dead, Grateful. In the Dark. Arista Records, 1987. 7. Dead, Grateful. Terr apin Station. Arista Records, 1977. 8. Dead, Gratefu! l. Workingmans Dead. Warner Bros. Records, 1970. 9. Dodd, David. Ambiguity as a Philosophical Stance in the Lyrics of the Grateful Dead. (Essay) http://arts.ucsc.edu/gdead/agdl/ambig.html 1997. 10. Dodd, David. The Annotated Grateful Dead Lyrics: A Website. http://arts.ucsc.edu/gdead/agdl/#songs 1997. 11. Dodd, David. Light and Dark in the Lyrics of Robert Hunter. (Thematic Essay) http://arts.ucsc.edu/gdead/agdl/light.html 1997 12. Scully, Rock, and David Dalton. subsisting With the Dead: 20 Years on the Bus With Garcia and the Grateful Dead. Boston: Little, Brown, & Co., 1996. 13. Troy, Sandy. tribal chief Trips: A Biography of Jerry Garcia. New York: Thunders Mouth Press, 1994. If you want to get a full essay, order it on our website: BestEssayCheap.com

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